oing straight through the inch-thick glass top of a coffee-table. (Needed twelve stitches, but it wasn't deep.) He couldn't see Sublett. He stumbled forward, cradling the yellow bulk of the chunker, vaguely aware that there was something wrong with his arm.

'Freeze, cocksucker!' said the biggest voice in the world, 'LAPD! Drop that shit or we blow your ass away!' ъydell found himself the focus of an abrupt and extraordinarily painful radiance, a light so bright that it fell into his uncomprehending eyes like hot metal. 'You hear me, cocksucker?' Wincing, fingers across his eyes, ъydell turned and saw the bulbous armored nacelles of the descending gunship. The downdraft was flattening everything in the Japanese garden that Gunhead hadn't already taken care of.

ъydell dropped the chunker.

'The pistol, too, asshole!'

ъydell grasped the Clock's handle between thumb and forefinger, It came away, in its plastic holster, with a tiny hut distinct skritch of Velcro, somehow audible through the drumming of the helicopter's combat-muffled engine.

He dropped the Glock and raised his arms. Or tried to. The left one was broken.

They found Sublett fifteen feet from Gunhead. His face and hands were swelling like bright pink toy balloons and he seemed to be suffocating, Schonbrunn's Bosnian housekeeper having employed a product that contained xylene and chlorinated hydrocarbons to clean some crayon-marks off a bleached-oak end table.

'What the fuck's wrong with him?' asked one of the cops.

'He's got allergies,' ъydell said through gritted teeth; they'd cuffed his hands behind his back and it hurt like hell. 'You gotta get him to Emergency.'

Sublett opened his eyes, or tried to.

'Berry. . .'

ъydell remembered the name of the movie he'd seen on television. 'Miracle Mile,' he said.

Sublett squinted up at him. 'Never seen it,' Sublett said, and fainted.

 

 

Mrs. Schonbrunn had been entertaining her Polish landscape gardener that evening. The cops found her in the nursery. Angered beyond speech, she was cinched quite interestingly up in a couple of thousand dollars worth of English latex, North Beach leather, and a pair of vintage Smith & Wesson handcuffs that someone had paid to have lovingly buffed and redone in black chrome-the gardener evidently having headed for the hills when he heard ъydell parking Gunhead in the living room.

 

 

 

 

 

3 Not a nice party

Chevette never stole things, or anyway not from other people, and definitely not when she was pulling tags. Except this one bad Monday when she took this total asshole's sunglasses, but that was because she just didn't like him.

How it was, she was standing up there by this ninth-floor window, just looking out at the bridge, past the gray shells of the big stores, when he'd come up behind her. She'd almost managed to make out Skinner's room, there, high up in the old cables, when the tip of a finger found her bare back. Under Skinner's jacket, under her t-shirt, touching her.

She wore that jacket everywhere, like some kind of armor. She knew that nanopore was the only thing to wear, riding this time of year, but she wore Skinner's old horsehide anyway, with her bar-coded Allied badges on the lapels. The little ball-chains on the zippers swinging as she spun to knock that finger aside.

Bloodshot eyes. A face that looked as though it were about to melt. He had a short little greenish cigar in his mouth but it wasn't lit. He took it out, swirled its wet end in a small glass of clear liquor, then took a long suck on it. Grinning at her around it. Like he knew she didn't belong here, not at a party like this and not in any old hut seriously expensive hotel up Over Geary.

But it had been the last tag of the day, a package for a lawyer, with ~Ienderloin's trash-fires burning so close by, and around them, huddled, all those SO terminally luckless, utterly and chemically lost. Faces aglow in the fairy illumination of the tiny glass pipes. Eyes canceled in that terrible and fleeting satisfaction. Shivers, that gave her, always.

Locking and arming her bike in the hollow sound of the Morrisey's underground lot, she'd taken a service elevator to the lobby, where the security grunts tried to brace her for the package, but there was no way. She wouldn't deliver to anyone at all except this one very specific Mr. Garreau in 8o8, as stated right here on the tag. They ran a scanner across the bar-code on her Allied badge, x-rayed the package, put her through a metal-detector, and waved her into an elevator lined with pink mirrors and trimmed in bank-vault bronze.

So up she'd gone, to eight, to a corridor quiet as the floor of some forest in a dream. She found Mr. Garreau there, his shirt-sleeves white and his tie the color of freshly poured lead. He signed the tab without making eye-contact; package in hand, he'd closed the door's three brass digits in her face. She'd checked her hair in the mirror-polished italic zero. Her tail was sticking up okay, in back, but she wasn't sure they'd got the front right. The spikes were still too long. Wispy, sort of.

She headed back down the hail, the hardware jingling on Skinner's jacket, her new SWAT-trainers sinking into freshly vacuumed pile the color of rain-wet terracotta.

But when the elevator doors opened, this Japanese girl fell out. Or near enough, Chevette grabbing her beneath both arms and propping her against the edge of the door.

'Where party?'

'What folks gonna ask you,' Chevette said.

'Floor nine! Big party!'

The girl's eyes were all pupil, her bangs glossy as plastic.

So Chevette, with a real glass wine-glass full of real French wine in one hand, and the smallest sandwich she'd ever seen in the other, came to find herself wondering how long she still had before the hotel's computer noticed she hadn't yet left the premises. Not that they were likely to come looking for her here, because someone had obviously put down good money to have this kind of party.

Some really private kind, because she could see these people in a darkened bathroom, smoking ice through a blown-glass dolphin, its smooth curves illuminated by the fluttering bluish tongue of an industrial-strength lighter.

Not just one room, either, but lots of them, all connected up. And lots of people, too, the men mostly gotten up in those suits with the four-button jackets, stiff shirts with those choker collars, and no tie but a little jeweled stud. The women wore clothes Chevette had only seen in magazines. ъich people, had to be, and foreign, too. Though maybe rich was foreign enough.

She'd managed to get the Japanese girl horizontal on a long green couch, where she was snoring now, and safe enough unless somebody sat on her.

Looking around, Chevette had seen that she wasn't the only underdressed local to have somehow scammed entry. The guy in the bathroom working the big yellow Bic, for starters, but he was an extreme case. Then there were a couple of pretty obvious

Tenderloin working-girls, too, but maybe that was no more than the accepted amount of local color for whatever this was supposed to be.

But then this asshole's right in her face, grinning his mean-ass drunken grin, and she's got her hand on a little folding-knife, something else she's borrowed from Skinner. It has a hole in the blade that you can press the tip of your thumb into and snap it open, one-handed. That blade's under three inches, broad as a soupspoon, wickedly serrated, and ceramic. Skinner says it's a fractal knife, its actual edge more than twice as long as the blade itself.

'You're not enjoying yourself, I think,' he says. European, but she's not sure which flavor. Not French or German. His jacket's leather, too, hut nothing like Skinner's. Some thin-skinned animal whose hide drapes like heavy silk, the color of tobacco. She thinks of the smell of the yellow-spined magazines up in Skinner's room, some so old the pictures are only shades of gray, the way the city looks, sometimes, from the bridge.

'Doing fine 'til you showed up,' Chevette says, thinking it's probably time to go, this guy's bad news.

'Tell me,' he says, looking appraisingly at the jacket and the t-shirt and the bike-pants, 'what services you offer.'

'The fuck's that supposed to mean?'

'Clearly,' he says, pointing at the Tenderloin girls across the room, 'you offer something more interesting,' and he rolls his tongue wetly around the word, 'than these two.'

'Fuck that,' Chevette says, 'I'm a messenger.'

And a funny pause crosses his face, like something's gotten past his drunk, nudged him. Then he throws back his head and laughs like it's the biggest joke in the world. She gets a look at a lot of very white, very expensive-looking teeth. ъich people never have any metal in their teeth, Skinner's told her.

'I say something funny?'

The asshole wipes his eyes.

'But we have something in common, you and I.'

'I doubt it.'

'I am a messenger,' he says, though he looks to Chevette like a moderate hill would put him in line for a pig-valve.

'A courier,' he says, like he's reminding himself.

'So proj on,' she says, and steps around him, but just then the lights go out, the music starts, and it's the intro to Chrome Koran's 'She God's Girlfriend.' Chevette, who has kind of a major thing for Chrome Koran, and cranks them on her bike whenever she needs a boost to proj on, just moves with it now, everybody dancing, even the icers from the bathroom.

With the asshole gone, or anyway forgotten she notices how much better these people look dancing. She finds herself opposite this girl in a leather skirt, little black boots with jingling silver spurs. Chevette grins; the girl grins back.

'You're from the city?' the girl asks, as 'She God's Girlfriend' el~, and for a second Chevette thinks she's being asked if she's a municipal messenger. The girl-woman-is older than she'd thought; late twenties maybe, but definitely older than Chevette. Good-looking without looking like it came out of a kit; dark eyes, dark hair cut short. 'San Francisco?'

Chevette nods.

The next tune's older than she is; that black guy who turned white, and then his face fell in, she guesses. She looks down for her drink but they all look alike. Her Japanese doll dances past, bangs swinging, no recognition in her eyes as she sees Chevette.

'Cody can usually find all he needs, in San Francisco,' the woman says, a tiredness behind her voice but at the same time you can tell she thinks it's all pretty funny. German, Chevette thinks by her accent.

'Who?' The woman raises her eyebrows. 'Our host.' But she's still got her wide easy grin.

'Just sort of walked in . .

'Could I only say the same!' The woman laughs.

'Why?'

'Then I could walk out again.'

'You don't like it?' Up close, she smells expensive. Chevette's suddenly worried about how she must smell herself, after a day on the bike and no shower. But the woman takes her elbow and leads her aside.

'You don't know Cody?'

'No.' Chevette sees the drunk, the asshole, through the doorway into the next room, where the lights are still on. He's looking right at her. 'And I think maybe I should leave now, okay?'

'I't, I ,i . ' ou uon t nave to. Please. I only envy you the option.

'You German?'

'Padanjan'

Chevette knows that's part of what used to be Italy. The northern part, she thinks. 'Who's this Cody?'

'Cody likes a party. Cody likes this party. This party's been going on for several years now. When it isn't here, it's in London, Prague, Macau ...' A boy is moving through the crowd with a tray of drinks. He doesn't look to Chevette like he works for the hotel. His stiff white shirt's not so stiff anymore; it's open all the way, wrinkled tails hanging loose, and she sees he has one of those things like a little steel barbell through one nipple. His stiff collar's popped off at the front and sticks up behind his neck like a slipped halo. The woman takes a glass of white wine when he offers the tray. Chevette shakes her head. There's a white saucer on the tray, with pills and what look like twists of dancer.

The boy winks at Chevette and moves on.

'You find this strange?' The woman drinks her wine off and tosses the empty glass over her shoulder. Chevette hears it break.

'Huh?'

'Cody's party.'

'Yeah. I guess. I mean, I just walked in...'

'Where do you live?'

'The bridge.' Watching for the reaction.

The grin widens. 'ъeally? It looks so ... mysterious. I'd like to go there, but there are no tours, and they say it's dangerous...'

'It's not,' Chevette says, then hesitates. 'Just don't dress up so much, right? But it's not dangerous, not even as much as the neighborhood around here.' Thinking of the ones around the trash-fires. 'Just don't go out on Treasure Island. Don't try to go all the way to Oakland. Stay over on the suspension side.'

'You like it, living there?'

'Shit, yes. 1 wouldn't live anywhere else.'

The woman smiles. 'You're very lucky then, I think.'

'Well,' Chevette says, feeling clumsy, 'I gotta go.'

'My name is Maria...'

'Chevette,' offering her hand. Almost like her own other name. Chevette-Marie.

They shake.

'Goodbye, Chevette.'

'You have a nice party, okay?'

'This is not a nice party.'

Settling the wide shoulders of Skinner's jacket, Chevette nods to the woman Maria and begins to work her way through the crowd. Which is tighter now by several degrees, like maybe this Cody's friends are still arriving. More Japanese here now, she notices, all of them serious suits; their wives or secretaries or whatever are all wearing pearls. But evidently this doesn't prevent them getting into the spirit of the thing. It's gotten noisier, too, as people have gotten more whacked. There's that loud constant burr of party-noise you get when the drinks kick in, and now she wants to be out of there all that much faster.

She finds herself stuck near the door to the bathroom where she'd seen the icers, but it's closed now. A bunch of French people are talking French and laughing and waving their hands around, but Chevette can hear somebody vomiting in there. 'Coming through,' she says to a man with a bowtie and a gray crewcut, and just pushes past him, spilling part of his drink. He says something after her in French.

She feels really claustro now, like she does up in offices sometimes when a receptionist makes her wait to pick something up, and she sees the office people walking back and forth, and wonders whether it all means anything or if they're just walking back and forth. Or maybe the wine's gotten to her, a little, because drinking isn't something she does much, and now she doesn't like the taste of it in the back of her throat.

And suddenly there's her drunk, her Euro with his unlit cigar, sweaty brow too close to the dull-eyed, vaguely worried face of one of the Tenderloin girls. He's got her backed into a corner. And everyone's jammed so tight, this close to the door and the corridor and freedom, that Chevette finds herself pressed up against his back for a second, not that that interrupts whatever infinitely dreary shit he's laying down for the girl, no, though he does jam his elbow, hard, back into Chevette's ribs to get himself more space.

And Chevette, glancing down, sees something sticking out of a pocket in the tobacco-colored leather.

Then it's in her hand, down the front of her bike-pants, she's out the door, and the asshole hasn't even noticed.

In the sudden quiet of the corridor, party sounds receding as she heads for the elevator, she wants to run. She wants to laugh, too, but now she's starting to feel scared.

Walk.

Past the party's build-up of trays, dirty glasses, plates.

ъemembering the security grunts in the lobby.

The thing stuck down her pants.

Down a corridor that opens off this one, she sees the doors of a service elevator spread wide now and welcoming. A Central Asian kid with a paint-splattered steel cart stacked up with flat rectangles that are television screens. He gives her a careful look as she edges in beside him. His face is all cheekbones, bright hooded eyes, his hair shaved up high in one of those near-vertical dos all these guys favor. He has a security badge clipped to the front of his clean gray workshirt and a

VirtuFax slung around his neck on a red nylon cord.

'Basement,' Chevette says.

His fax buzzes. He raises it, pushes the button, peers into the eyepiece. The thing in her bike-pants starts to feel huge. Then he drops the fax back to his chest, blinks at her, and pushes a button marked B-6. The doors rumble shut and Chevette closes her eyes.

She leans hack against the big quilted pads hung on the walls and wishes she were up in Skinner's room, listening to the cables creak. The floor there's a layer of two-by-fours laid on edge; the very top of the hump of the cable, riding its steel saddle, sticks up through the middle, and Skinner says there are 17,464 strands of wire in that cable. Each one is about as thick as a pencil. You can press your ear against it and hear the whole bridge sing, when the wind's just right.

The elevator stops at four for no reason at all. Nobody there when the door opens. Chevette wants to press B-6 again but she makes herself wait for the kid with the fax to do it. He does.

And B-6 is not the garage she so thoroughly wants now, but this maze of hundred-year-old concrete tunnels, floored in cracked asphalt tile, with big old pipes slung in iron brackets along the ceiling. She slips out while he's fiddling with one of the wheels on his cart.

A century's-worth of padlocked walk-in freezers, fifty vacuum cleaners charging themselves at a row of numbered stations, rolls of broadloom stacked like logs. More people in work clothes, some in kitchen whites, but she's trying for tag-pulling attitude and looks, she hopes, like she's making a delivery.

She finds a narrow stairway and climbs. ,The air is hot and dead. Motion-sensors click the lights for her at the start of each flight. She feels the whole weight of this old building pressing down on her.

But her bike is there, on B-i, behind a column of nicked concrete.

'Back off,' it says when she's five feet away. Not loud, like a car, but it sounds like it means it.

Under its coat of spray-on imitation rust and an artful bandaging of silver duct-tape, the geometry of the paper-cored, carbonwrapped frame makes Chevette's thighs tremble. She slips her left hand through the recognition-loop behind the seat. There's a little double zik as the particle-brakes let go, then she's up and Ofl it.

It's never felt better, as she pumps up the oil-stained ramp and out of there.

 

 

 

 

 

4 Career opportunities

ъydell's roommate, Kevin Tarkovsky, wore a bone through his nose and worked in a wind-surfing boutique called Just Blow Me.

Monday morning, when ъydell told him he'd quit his job with IntenSecure, Kevin offered to try to find him something in sales, in the beach-culture line.

'You got an okay build, basically,' Kevin said, looking at ъydell's bare chest and shoulders. ъydell was still wearing the orange trunks he'd worn when he'd gone to see Hernandez. He'd borrowed them from Kevin. He'd just taken his cast off, deflating it and crumpling it into the five-gallon plastic paint bucket that served as a wastebasket. The bucket had a big self-adhesive daisy on the side. 'You could work out a little more regularly. Arid maybe get some tats. Tribal black-work.'

'Kevin, I don't know how to surf, wind-surf, anything. Hardly been in the ocean in my life. Couple of times down Tampa Bay.' It was about ten in the morning. Kevin had the day off work.

'Sales is about providing an experience, Berry. The customer needs information, you provide it. But you give 'em an experience, too,' Kevin tapped hi